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Etude in Resonance Edition:15-72 in museums

Etude in Resonance Edition:15-72 in museumsb. 1955, Great Neck, NY Someone asked me recently why I decided to take a geometric approach to my works of art. My answer was that this approach has a clear, universal, and strong foundation, and is therefore readily understood and comprehended. In this vocabulary of nature, from the paths of subatomic particles in cloud chambers and accelerators, to the orbits of the planets, galaxies, and other heavenly bodies, draw relationships to my work.

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Description

in museums

draw relationships to my work

Her work holds multitudes

and in 1969

Etude in Resonance Edition:15-72 in museumsb. 1955, Great Neck, NY Someone asked me recently why I decided to take a geometric approach to my works of art. My answer was that this approach has a clear, universal, and strong foundation, and is therefore readily understood and comprehended. In this vocabulary of nature, from the paths of subatomic particles in cloud chambers and accelerators, to the orbits of the planets, galaxies, and other heavenly bodies, draw relationships to my work.

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