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(C) * Bridge (Optional): 1---2---3---4--- C F e|----------------|- B|2---------------|1 G|------------0---|- D|----0-2-3-------|3 A|3---------------|- E|----------------|- Irish song lyrics G-J Miriam O'Callaghan interview with Irish folk / traditional musicans Paul Brady and Andy Irvine Miriam meets on rt raidi one with Miriam O'Callahan my guest this morning both of course two celebrates Paul Brady celebrating the release of his new album dancer in the fire a Paul Brady anthology this weekend his personal selection of favorite recordings that span a career from the 1960s up until today Andy Irvine is celebrating turning 70 this year with a reunion of old musical friends at a special gig that's June the 16th at Baker Street here in Dublin Paul and Andy first met in Dublin on the folk scene in the 1960s and ended up playing together for a couple of years and 1970s recording and releasing an iconic album called Andy Irvine Paul Brady in 1976 though they've taken different musical paths over the years they still play together from time to time you're both very welcome thank you very much can you remember when you first met well I think the first time I saw Andy was in a Sweeney's man performance in a pub called O'Mara's on the key this was the time when every every week there will be a new ballad lounge opening and Dublin was right in the middle of the huge ballad boom in the mid 60's and I went down to see Sweeney's band play one night and Andy was on stage with Johnny Moynihan and I think it was Terry Woods yeah yeah so I immediately loved the music that were playing because a lot of it was kind of sort of influenced by old-time American music would he go through some of the Appalachian mountain music and stuff like that which I had always loved and here were people actually on stage and Dublin playing it and Reed playing it very well instead of me listening to it on a record so I was very impressed I think it was maybe before that that I first saw Paul I do remember Paul playing and I'm sure it was Duncan and Brady Leadbelly tune yeah yeah I was I was amazed at this kind of a Strabane Delta you know and it was I remember that really well I've impressed me then and his voice is ever ever since impressed me as well subhan delta that's good yeah the deep south so how did you end up playing together the first time how did that come about you know there was a guy called Galway Joe Dolan who spent his entire life trying not to be mixed up with somebody else in the same name he was the original guitarist in Sweeney's man and in June 1967 when the war broke out between the Arabs and Israel he immediately left the band and went to Israel and I think he liked he he was really know he got nervous because we had a hit we had a hit single at that time just been successful but we asked Paul would he would he join Sweeney's Men and and we missed him by about a week as a week earlier he had joined the Johnsons I was in an apartment open or a flat open round and Rathmines and Palmerston road above Mick Maloney and Dnal Lunny who were in this group called the Emmett folk group they flashed that must have been above each other it was amazing we spent all the time playing poker all night my Northern Ireland University ground disappeared Mick was asked to join the Johnston's who were a big chart-topping success group in Ireland and eventually he asked me to join and I joined and then a week later Andy Irvin came to me saying would you join Sweeney's man too late would you have gone for them over the johnstons that was the most diplomatic cap on my head I would have to honestly say that I think that the Sweeney's man music could have been more compatible with me and I probably would have had more fun in the long run but he did play one gig with us and it was in in the it's name of the hotel down Limerick the Royal George Royal Gorge hotel an American but as we all drove back to Dublin we were thinking damn we missed in power because he was good but in the end you did end up getting to play together was that in planks - well if you German sending him to sticky messy and in America in the early 70s and I find myself stuck out there on my own you must have gone to the States to try and break America and that often breaks a lot of bounds yeah and break America exactly I mean when we got there like there was the first what they call Creole crisis and at that time record companies needed oil to make vinyl and record companies were in serious trouble because vinyl became extremely expensive so record companies were not only not signing new acts they were dropping half the roster they already had so it was a very bad time to be trying to break America but breaking America the concept was just so ludicrous thinking about what's your memory of how you did join Planxty

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